Mittwoch, 16. November 2022

The P-Word

 

It seems that I am on a lengthy trip away from the fictional world. But as it is about a crucial „discovery“ about myself, it is not out of place here, though it feels weird in English and in this environment. But the fictional world is where my „real me“ usually exercises itself.

One other thing first: I made up my mind if I like “Geneva”. I do, obviously, because I enjoyed listening to it – significantly more than to most of the Audible thrillers I downloaded! – and not JUST because of Nicola Walker. Not because it really is a good thriller – even though it is more “thrilling” than some of the Audible books I have downloaded as well. It is not a good thriller, though – in MY book! – because it has two of the “shortcomings” I mind the most in this kind of novel. The first is to start with a scene that happens after the beginning of the main plot and where you don’t know what’s happening or which person it is about. I mind because it is purposefully misleading, but it is certainly a favoured kind of beginning, therefore people who REALLY like thrillers must LIKE to be misled? In this case, though, the scene at the beginning doesn’t even really match the scene at the end of the book it relates to, and this is a no-go! That something like this happens - and I am sure this is not my first experience of this kind - shows me that people never read these books twice. (As I do and probably shouldn’t.) But I am sure I will listen to it a third time at least, for a different reason. The second thing that I hate about thrillers and crime novels is when we experience part of the story from the perspective of one of the protagonists and when there are crucial things about this person we cannot know because it is part of the plot and the suspense that their real character or plans are not disclosed until later. This is the case with the husband, Daniel. In this constellation it cannot be avoided that characters are lying to themselves, or disguising their own mind, in a way that is not convincing. There are parts where it is convincing that Daniel is lying to himself, but there are lots of bits that are irritating and just don’t add up. To empathize with his wife because of something HE has done to her – and planning to kill her at the same time! - is taking it two steps too far, in my opinion. (Again, this might be more acceptable if you read the book only once!)

The main reason why I absolutely enjoyed listening to the text, and will certainly listen to it again sometime, is the writing. It is beautifully written, and I totally like the “writing voice” of Richard Armitage (– which shouldn’t surprise me, but somehow did.) There is always something like music in good prose writing – which is why I love to read books to myself aloud to listen to it – and the “music” of this book is beautiful. And – this is difficult to express, even though it is what I find most important in prose writing – the imagination and the writing are extremely “close together”. He always finds the right words to express the imagined scene, state of mind, environment etc – sometimes very original and surprising without being overly sophisticated, so that neither the “dead” commonplace nor the obvious act of imagination comes between the reader and their object. Strange that I never really thought about this, but it is what I most appreciate in prose writing. When I was writing myself, I always noticed when I had reached this point and totally enjoyed it because then I knew that the writing was authentic and I knew what I was doing, and could lean back and enjoy the text “writing itself”. I find it interesting that I can make such a clear distinction between the quality of the book as a (classic) thriller and “as a book”, but, when I think about it, not really surprising. From my perspective, a thriller or a love story or whatever kind of conventional form of fiction is just an “excuse” for good writing or good reading. And this was some of the best I had this year.  

Now to the less enjoyable and more demanding matter: I put “discovery” in inverted commas because I always knew. I always knew, but somehow nobody else did. Even if I had wanted to, I couldn’t have told them because I didn’t have the right word for it. So, the discovery was about a WORD – which I already knew as well, as everybody else does. I just didn’t know that it applies to me.

I must have known since 1987 – at the latest! – when my father died in an accident, and when I HAD to ask myself why I didn’t feel what I was SUPPOSED to feel. That is, I felt NOTHING.

I didn’t do anything about it at the time but began to live with the knowledge of a difference, kind of excusing myself with the thought that I probably had too many problems of my own (!!!) to deal with. This might have been so, but it is NOT an answer to the question! 

Then – it will be ten years next year – my life’s path went round a bend, and I figured out how to be happy for the first time in my life. In retrospect it was mainly to get out of my hole and somehow KEEP MOVING. That suddenly made all my problems go away. But of course they didn’t really disappear. I think being marooned in Covid kind of made them come creeping back. Things that hadn’t been dealt with which I knew would affect me sooner or later and make my life shit. And then, of course, there is old age …

So, quite suddenly, I find myself expelled from my land of bliss, right in the middle of dealing with shit. I wrote in my last post that 2022 is a shit year, which was even more accurate than I knew then, but doesn’t necessarily mean that it is a BAD year. DEALING with shit – even when it is not hugely successful - reduces fear and may even be rewarding. Mike Thyson – usually not a role model! – said that you have to try to do the things you hate as if you loved them. It‘s a bit like „laugh and you‘ll feel better“, just more decisive. At the moment, this strikes me as the direction I have to take … 

My great role model was recently made a „Doctor of Lettuce“ by Leicester University and gave an amazing speech which was very personal, as I would have expected. At the end he said something he particularly singled out as personal experience, and I was absurdly pleased because I thought: This is what I KNEW he would say (but maybe hadn’t been prepared to say until then?) He said that the only thing you can control (about your life as a public person) is your reputation. Therefore always show people the best version of yourself. (And if others do something you like, always cheer them, because then they will do the same for you.) Somehow I don’t think that most people I know would have appreciated this advice as much as I did. But why did it feel so important?

Another question added that will hopefully be disentangled at the end of this. 

The next enormously helpful thing was a question I got about myself that was nagging me because I felt it was important and I couldn’t answer it. I should have known the answer because it is a life question, like the first one about my feelings, and is clearly linked to it. It was my friend asking me why I always thought that I was DIFFERENT. I think I reacted kind of annoyed, like: Why would I even WANT to be NORMAL? But people always think of other people as normal and treat them as normal, as long as they act normal, and why should they know or care about the difference? But in some cases, absurdly, to FEEL NORMAL ABOUT YOUSELF you have to deal with the difference.

There is a tangle of small events, and trying to disentangle it somehow brought me an enormous step forward. It is probably not important at which end the disentangling began. But there were two or three things still, at least. The most important of all, the one that kind of drew all the rest towards it and coerced me to finally tackle the issue, was that I went to a therapist for the first time in my life – not about myself but together with my youngest sister because of a problem in the family. (One of the things I knew I would hate but had to do as if I loved them …) I was better prepared than I thought because my other sister has had therapy lately, for burn-out, and she made really good use of it to effect decisive changes in her life. I was very impressed by it and made time to meet her and talk with her several times. So I already had adopted the position that I had to look at myself as part of the problem. Still, I was annoyed about the lack of progress. I had no clearer view of what I should do, but, in retrospect, the question I had had in the beginning had changed slightly from: „Why am so totally UNABLE to talk about this problem?“ to: „Why am I so totally UNWILLING to talk about this problem?“ And I think this slight shift caused an avalanche … 

This still doesn’t make a lot of sense, but I hope it will when I add the last bit of the puzzle. Which was that I read a newspaper article about „everyday psychopaths“. How to deal with the situation when your boss is a psychopath, and so on. I tend not to take psychology seriously because of Freud. How can a science be right about anything if it is based on faulty premises? But psychology has moved far beyond Freud, and not ignoring it might have saved me a long detour. On the other hand, a long detour might have been exactly what I needed to catch up with myself.

PSYCHOPATHS 

Quite often fiction is a great shortcut to really complicated psychological problems. Sometimes it really isn’t. We think we know what a psychopath is because „we“ have met them in horrid thrillers where they kill and mutilate dozens of people just for the fun of it. Everybody loves a psychopath! - Being a psychopath myself, I must say: THIS is not helpful. Theoretically, everybody knows that this kind of psychopathic murderers are an evanescent minority that only becomes visible because of the enormity of their crimes. On the other hand, everybody knows at least one psychopath and hates them, especially if they are somebody in their own family or at work above them in the hierarchy. Psychopaths without power over other people, like me, tend to go unnoticed. I suspect that people usually know what is wrong with us, but, as long as we function, there is no need to look into it. In fact, not functioning finally became a problem.

WHAT IS A PSYCHOPATH?

In my understanding, a psychopath is somebody who doesn’t feel empathy. No wonder that I was always fascinated with the bit in Richard III where he says:

There is no creature loves me,

and if I die no soul will pity me.

And wherefore should they, since that I myself

Find in myself no pity to myself? 

As with lots of psychological issues, Shakespeare knew all about it.

 

THE „PITY INDICATOR“

Richard III (in Shakespeare!) certainly IS a psychopath, but, obviously, not all of us are like him. If being pitied tends to annoy you, though, or make you furious, and if you seldom or never feel pity for other people – except in a condescending way which isn’t real pity! – you are certainly „on the spectrum“. As I have already pointed out, the term „psychopath“ is misleading and discriminatory, and it might be more to the point to talk of an „empathy disorder“. But there is a reason for me to use the “P-Word”. 

 

PREPARE TO BE HATED!

The question „Why do you always think your are different?“ was so useful to me because I hadn’t really decided if I thought I WAS different or just LIKED to be different instead of normal – as I do in fact as well because I am bored with normality and like people who are different. Maybe not so much in real life where they are often annoying and threaten my routine, but certainly in fiction! And in certain real-life contexts I get extremely interested in people who are „different“ and suffer as a consequence because I find it so unjust … I never realized, though, that this was because of me! 

If you are different, PREPARE to be hated! I was always prepared to be hated just because I KNEW I was different. I mean REALLY - or fundamentally - different, like people with autism or lesbians are different from me because their brain is WIRED DIFFERENTLY. (Of course, in an “every-day” way, everybody is different from everybody else, and it is great that they are.)

On the surface, it was never a problem to be different because nobody really knew it, and even if they disliked me – mostly because I just didn’t care if people liked me, respectively because I didn’t (actively) like them – they had no right to HATE me because my deviation was not visible. UNTIL NOW the empathy disorder has even been more advantageous to me than feeling empathy would have been, in my opinion. As I was lucky to grow up in a healthy and caring environment and, as a passionate reader and amateur writer, became extremely involved with feelings, emotions, moral issues, people’s predicaments and so on, I just LEARNED all the things I NEEDED to learn. Feeling no empathy – I would imagine! – spares me a lot of anxiety, pain and hurt, and – the absolute best about it! – makes me completely immune to emotional manipulation. 

The other good thing is that I never hated myself for being different and am not at all appalled by my „discovery“. I only just realized why. I have always been annoyed and puzzled by the question if people are „born“ good or bad. The question as such is nonsense because “good” or “bad” carry no fixed meaning but are totally context-sensitive. A bad apple is bad because it is rotten, and Hitler or Putin are undoubtedly bad people – because they have caused a lot of devastating hurt to others. So – if you don’t put another context “behind” the question, like a religious one – “good” or “bad” in people can only refer to their ACTIONS, and nobody can be good or bad BEFORE they have done anything. So, nobody is good or bad because of the way they are wired, it might just be more difficult to make something good of your life.

But there are circumstances where being a psychopath really makes things difficult for you. To notice that somebody has a severe and complicated psychological problem and act on it, is an impossible situation for me because it requires genuine empathy, not just the put on one I have learned and that has served me well enough. Besides, only real empathy can provide you with enough motivational energy to see this through. It might not be impossible to get over this impediment because I am good at doing things I hate as if I loved them – if I put my mind to it. (And with my two sisters as “back-up”.)  But this certainly means that I will have to become much more entangled in the real world for a much longer period of time than I want to … Therefore my feeling that this blog might be dying (or changing?) was not unfounded. 

To end this on a positive note, I am getting back to the „doctor speech“. Of course this is a very subjective interpretation – it is expressly about MY OWN truth! – but I liked it so much BECAUSE the positive personal experience sits on top of a very dark one. Everybody who is „wired differently“ – especially in a way that other people can see if they want to – has to be prepared to be hated. In my case, this kind of remained under the surface because everybody had the choice to ignore the difference – and, as I usually behaved, they usually did. They just didn’t LIKE me. I thought this was alright because I wouldn’t have liked me much either, and, come to that, didn’t like THEM that much. If I did, by accident, I wouldn’t show it. It would have appeared as weakness.  

But this is exactly the problem with being  (fundamentally) different. The moment you find out, you have this feeling about yourself that THE WAY YOU ARE you should rather not exist. And this is such an incisive experience that it will remain there, buried in your system. That is how you know! And to LIVE in this way, just accepting the knowledge and trudging on – IF you want a good life! - is definitely not the path to take!

There are better ways. One frequently trodden path is to do everything so well and be so great that everybody admires you and will forget that you are different. I always was fascinated by perfectionists but somehow always knew: this is not for me. Probably just because I am too lazy to try and be perfect, but there is a slight but important difference to what Richard Armitage was saying. Being a perfectionist has a distinct anti-social aspect. It is just about yourself being better than anybody else and shine so much that nobody can touch you. Perfectionists are admired but not liked. There is a bit of this in always showing the best version of yourself because it can become an armour. And as a public person you NEED an armour. I don’t, but I believe I liked the advice so much because I was already following it. Showing people the best version of myself is also ABOUT MYSELF. It is the obvious way of BECOMING the best version of myself, which is rewarding, and it is also the best I can do as a social being because my best moral qualities will become effective. In my opinion, this is exactly how we fulfill our purpose as a human being.

Mittwoch, 2. November 2022

Summer is over …

 

Recently the fictional world got trampled a bit underfoot and now haltingly resurfaces. Still it feels as if it should not. There is so much in the real world that screams in my face daily, claiming my attention, and virtually nothing I can do about it. But there is still fictional progress which I might just be slow to follow. Just now I am listening to Richard Armitage’s corona project “Geneva”, which just got released on Audible, and don’t really know if I like it. At first, listening to Nicola Walker impersonating the main character seemed the best bit. She gets directly under my skin. The rest I wasn’t so sure about, though the writing is mostly good. There is a gripping, dizzying realism in the descriptions of the environment and circumstances, and there is psychological depth to the characters underneath the inevitable cliché. A stunning Nobel prize winning female scientist with Alzheimer’s and her attractive but weak husband who is going through a dangerous midlife-crisis - seriously!?  Made me question if I like conventional thrillers at all or consider them a waste of my time … but being MORE thrilled listening the second time isn’t a bad sign. (I am this weird kind of reader who reads or watches everything worthwhile at least twice – even thrillers and crime novels!)

 

I SHOULD be happy, more so because “Cinema” finally recovered and climbed even above what it was before with a new look, nice overpriced cocktails and fresh theatre from London. I already saw Ralph Fiennes in “Straight Line Crazy” – which wasn’t really interesting except for Ralph Fiennes, but there will be more! Two days ago they showed the Coldplay concert from Buenos Aires which was such a heart-warming message to all the good people in the world (who eat clean food and make their own clean energy by treading on bikes …) that it felt as if everybody who couldn’t afford to pay 200 Euros minimum for a regular ticket should have been there. I saw it with my sister and niece, and a handful of others … Seems that “the world” – like me! – still needs a bit of patience to get back on track?

 

And suddenly there is a lot of NEW THEATRE I desperately want to see. My first botched attempt of getting to London to see Simon Russell Beale in “John Gabriel Borkmann” lies only a few days in the past. Somehow I even reckoned that it would be only theoretically possible to cross Europe and the channel in one day by train to get to the theatre the same evening, but as I missed my first train just because of my own unbelievable stupidity I will probably never know. As the wound is still bleeding, it feels as if I would never be able even to THINK of something like this again. I already know that I will miss David Tennant in “Good” and Juliet Stevenson in “The Doctor” because I cannot make another trip like this in a month or so after having just flushed 600 Euros down the toilet. But I must not despair! My next chance will come in the new year with Sophie Okenedo and Ben Daniels in “Medea”. (Hopefully, 2022 is just a shit year – after most of 2021 having been a shit year – not the beginning of the long decline …)

 

The really important things that happened in the fictional world, though, were much less spectacular. There are three personal holidays I have been celebrating in the last years, usually together with my reading-partner Claudia. Shakespeare’s Birthday (23red of April), “Bosworth Fields” (22nd of August) and Apple-Pie Day – which takes place when the apples from my mother’s garden are plucked and ready to go into the one and only pie I am baking all year. “Bosworth Fields” kind of fell through – though I had finally managed to get “My Zoe” on DVD – but Apple-Pie Day took place on the 22nd of October. We agreed that the pie was a success and that the play we had read: “Timon of Athens” was a downer. Later on, sitting on my balcony in the sun, we got back to it nonetheless. And, as is often the case, talking about it made me first realize that I had questions. After this we came to the heart of the matter really fast. The play, which might lack aesthetic ingenuity and a genuine “human interest” story, might have had a contemporary impact nonetheless. For Elizabethans it might actually have reflected the madness of capitalism which – if I believe Hilary Mantle, and I do! – had somehow come to a new level during the reign of Henry VIII, and, in the view of many, might have been kind of spiralling out of all proportion, scrambling human relationships in its wake …

 

Nothing spectacular, but I was thrilled with our EFFICIENCY of getting a foot into this text. As something similar happened just a few days ago, I came to the conclusion that I had still underestimated what I have achieved writing this blog and thus getting myself to focus on my reading the way I did. So, the same questions about the nature of fictional text cropped up repeatedly, and, in the long run, tended to get answered in a way that increased the PRODUCTIVITY of my reading. I think that “Shakespeare 2.0” was in fact a big step forward, though I don’t think I have really understood it yet. At least I feel that I haven’t nailed it, but I seem to finally have taken the notion seriously that fictional text is not necessarily “constructed” or “controlled” by the objective of making sense or achieving one single goal, but is usually the product of MANY intentions, current ideas, economic considerations, literary traditions and personal preferences rooted in a singular mind and experience that is inaccessible to others. It is its nature that it can never be COMPLETE, nonetheless there is this notion that it is a text only when it is complete. So, perversely, what we are inevitably doing as soon and as long as we engage actively with a text is putting things together that have nothing to do with one another IN THE FIRST PLACE. This is kind of frustrating, and I had a mind not to go there – being at a loss how to do it – but my recent mind-boggling museum experience taught me something different. Really having understood something might lead directly to DOING IT right.

 

It was in the “Alte Pinakothek” -  where the old masters like Rembrandt, Rubens or Caspar David Friedrich are displayed. I went there with my sister and niece before the Coldplay concert because of some school project, and I would have expected to leave this museum with a lasting impression of the stunning lemon tarte I had in the café without looking at the “old masters” at all because I hold the prejudice that I am not really good with paintings – especially old ones. But this time I was, because, somehow, “Shakespeare 2.0” seemed to have dislodged all the prejudices and second-hand knowledge which I always thought I needed to look at them. They were not GONE – but somehow DISLOGED, so that it was not possible to take them as absolutes and thus focus on THEM instead of the paintings. It is important that the paintings are HISTORICAL, but this is just the thrill of it! And history is never absolute in the way that a certain painting necessarily “belongs” into the 15th or 20th century because it was painted there. History of art is not carbon dating, it’s about something quite different. This time I realized this already BEFORE we came to El Greco! So, I didn’t have to go out of my way a long way – as I thought I had to in the past – to get to these paintings, they were already speaking to me. In fact, some of them were screaming at me! And even though I had this experience once, a long time ago, at the National Portrait Gallery, briefly, and not really understanding what it was about, now I knew: All these PEOPLE looking at me directly through the centuries. As this is the stunning thing about a good portrait: a person looking right at you, or gazing at something in a distance, both times somehow expressing an entire person in that look.

 

In fact, it was like the Coldplay concert – just less emotional –  a moment of feeling CONNECTED – before the lights went out and there was again segregation, inhumanity, war, brutality, stupidity, and the kind of unproductive routine that will grind us down in the end …